Glenn Adamson wrote the catalogue text about my work for Art Ii – Biennale of northern environmental and sculpture art. Adamson is currently
director of the Museum of Arts and Design (MAD) in New York City. Continue reading Text by Glenn Adamson
In 2010 I was invited to Art Ii – Biennale of northern environmental and sculpture art Continue reading How to enjoy nature
Swedish-Norwegian design duo Byggstudio opened a temporary Vintage Plant shop in Stockholm in 2008 to trade and exhibit second-hand plants and their background stories. Each buyer/seller was documented and information about the plant was passed on to the next owner. … Continue reading Pots for Vintage plant shop
Arcrafteopteryx was a public decoration above the door of Crystal gallery in Stockholm 2008-2009. It can be read as a sign, a protective animal, icon or a grotto placed in an urban surrounding, a prehistoric bird caring for happiness and … Continue reading Arcrafteopteryx
“Aestheticly influenced by renaissance painting, objet d´art and contemporary spiritual movements I’m now showing the pieces First and Second Haven. First Haven is a museumlike piece with no other function than to carry art. A rickety wooden framework decorated with … Continue reading First and Second Haven
“Arriving at dusk to the scout cabin – The Eagles nest. The winter is hard on us with the snow pounding in our faces. Together we carried 300 kilos of clay, firewood and food for three days 200 meters up … Continue reading In the eagles nest, Wwiafm
I’m a member of the craft and design group We Work In A Fragile Material. We all have a background in the ceramics and glass institution in Stockholm and together we’ve worked on projects in Stockholm, Oslo, London and New … Continue reading We Work In A Fragile Material
Extract from the text Difference and recemblance. The reconstruction of signs by Jivan Astfaclk. Published in the book ”Six views on a practice in Change”, Craft in dialogue, 2005 Continue reading Text by Jivan Astfalck
My third solo exhibition was in Akershus kunstnersenter, Lilleström just outside Oslo in Norway 2004. It was about being seduced by a romantic tourist image of France and being just fine about it. The exhibition showed three installations with the … Continue reading Romantic France project
LInus Ersson 