THE BOOT! The best piece I’ve ever made!
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In 2013-14 I attended Research Lab, 60 credits, in Konstfack, University college of arts crafts and design, Stockholm. A one year pre-research course at where I got the opportunity to drive an own research project. Frame, document and conclude it. … Read More

A place in the sun, Article in Hjärnstorm
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Article written by Linus Ersson published in january 2014 in the magazine Hjärnstorm, nr. 117: CIGARETT. Illustrated by his piece A place in the sun, shown in gallery ID:I, Stockholm, the group exhibition INGÅNG NÄSTA DÖRR (15.3-31.3 2013) curated by … Read More

Feedback NA! Fund academy
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My feedback to the Nature Addicts Fund  Academy in Kassel during dOCUMENTA(13) ”Farmers must breed diversity, not uniformity” ”Anything that enhances diversity is good. Anything that reduces diversity is a colonization act” ”Individuality is beautiful for diversity” Vandana Shiva at … Read More

Time Out with Linus Ersson, Glenn Adamson
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Glenn Adamson, catalogue text, Art Ii – Biennale of northern environmental and sculpture art   If we took a holiday Took some time to celebrate Just one day out of life It would be… it would be so nice Madonna … Read More

Jivan Astfaclk, Extract ”Six views on a practice in Change”, Craft in dialogue, 2005
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In my view, we need to be aware of the significance of the crafts object as a commodity and at the same time explore the crafts object as a dialogical device of differentiation and of meaning. In accordance with other … Read More

Ferry to my son
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I Ferry to my son kan man leka och leva sig in i rollen som kapten, resenär eller bogvisirsmaskinist. Bilden är tillrättalagd och befriad från den reella platsens hierarkier, faror, smuts och vardagsproblem. Lekaren har möjlighet att välja när hon … Read More

Catalogue text, Love Jönsson
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Love Jönsson, art ctitic, writer, curator and commissary at Röhsska museum in Gothenburg wrote a catalogue text about my work for Twelwe Hertha Bengtson grant recipients, an exhibition I attended which was shown in