Improvisation of ugliness, clayey guck, weed, vermins and abnormalities. At the ”Earth market” event orchestrated by Mossutställningar Stockholm.
Solo exhibition at Kaolin in Stockholm, february 2019. Adressing technologies to destroy life on the one hand and create life on the other.
Documenting the process of making EXPLO! / EXTINCT. Background, sketches, images and links.
From August 5 until November 5 in 2017, I’m part of the exhibition ”Hertha Bengtsson Stipendiater 1996-2016” in Höganäs Konsthall.
My contribution to Attention: craft! Eleven contemporary artists from Sweden and Norway setting the temperature of the current craft scene.
Article written by Linus Ersson published in january 2014 in the magazine Hjärnstorm. Illustrated by his piece A place in the sun
In some tales the Hebrew word אמת, emet meaning truth is written on the golems forehead. Making an adventure game with Golem theme.
How to enjoy nature In 2010 I was invited to Biennale of northern environmental and sculpture art in Ii in northern Finland. I made an outside public installation lasting for several years called How to enjoy nature. In a post-box mounted … Read More
Arcrafteopteryx was a public decoration above the door of Crystal gallery in Stockholm 2008-2009. It can be read as a sign, a protective animal, icon or a grotto placed in an urban surrounding, a prehistoric bird caring for happiness and … Read More
“Aestheticly influenced by renaissance painting, objet d´art and contemporary spiritual movements I’m now showing the pieces First and Second Haven. First Haven is a museumlike piece with no other function than to carry art. A rickety wooden framework decorated with … Read More
My third solo exhibition was in Akershus kunstnersenter, Lilleström just outside Oslo in Norway 2004. It was about a being seduced by a romantic tourist image of France and being just fine about it. The exhibition showed three installations with … Read More
I Ferry to my son kan man leka och leva sig in i rollen som kapten, resenär eller bogvisirsmaskinist. Bilden är tillrättalagd och befriad från den reella platsens hierarkier, faror, smuts och vardagsproblem. Lekaren har möjlighet att välja när hon … Read More
Forgetting to look at the view was first shown at Svensk samtidskeramikk, Kunstindustrimuseet, Oslo in 2003. The exhibition was curated by Päivi Ernkvist, Sara Isaksson From and Åsa Jungnelius and opened by queen Sonja of Norway.
Love Jönsson, art ctitic, writer, curator and commissary at Röhsska museum in Gothenburg wrote a catalogue text about my work for Twelwe Hertha Bengtson grant recipients, an exhibition I attended which was shown in
Second solo exhbition was in 2001 in the craft and design gallery Agata, near Nytorget in Stockholm. The gallery was run by Maj Sandell and Agnes Lidman. The piece was accompanied by the following text. Myself, my girlfriend and our … Read More