In my view, we need to be aware of the significance of the crafts object as a commodity and at the same time explore the crafts object as a dialogical device of differentiation and of meaning. In accordance with other … Read More

My third solo exhibition was in Akershus kunstnersenter, Lilleström just outside Oslo in Norway 2004. It was about a being seduced by a romantic tourist image of France and being just fine about it. The exhibition showed three installations with … Read More

I Ferry to my son kan man leka och leva sig in i rollen som kapten, resenär eller bogvisirsmaskinist. Bilden är tillrättalagd och befriad från den reella platsens hierarkier, faror, smuts och vardagsproblem. Lekaren har möjlighet att välja när hon … Read More

Forgetting to look at the view was first shown at Svensk samtidskeramikk, Kunstindustrimuseet, Oslo in 2003. The exhibition was curated by Päivi Ernkvist, Sara Isaksson From and Åsa Jungnelius and opened by queen Sonja of Norway.

Love Jönsson, art ctitic, writer, curator and commissary at Röhsska museum in Gothenburg wrote a catalogue text about my work for Twelwe Hertha Bengtson grant recipients, an exhibition I attended which was shown in

Second solo exhbition was in 2001 in the craft and design gallery Agata, near Nytorget in Stockholm. The gallery was run by Maj Sandell and Agnes Lidman. The piece was accompanied by the following text. Myself, my girlfriend and our … Read More

My first solo exhibition, right after graduation, was in Gallery Inger Molin in 1999. Most pieces were untitled and crafted in unglazed porcelain.   Read more in map.linusersson.com, Art or craft?

My first exhibition after graduating Konstfack was a group exhibition with the title Present in Bomuldsfabriken Kunsthall, Arendal, Norway. Curated by Harald Solberg