Group exhibition I’m part of in the coming summer in Örebro, Sweden.
Solo exhibition at Kaolin in Stockholm, february 2019. Adressing technologies to destroy life on the one hand and create life on the other.
A video recording of me giving a lecture about my solo exhibition EXPLO! / EXTINCT! Talking about background, genetic engineering, and aesthetics and showing a lot of images.
Documenting the process of making EXPLO! / EXTINCT. Background, sketches, images and links.
A chronicle I wrote in march, 2018, for Funka. What is considered beautiful or ugly, normal or abnormal and what to call a person with no recognized disabilities.
I hosted and made clay bowls for a Full Moon Gathering: Fire and Clay event in Losæter, Oslo, together with artist Erik Sjödin.
From August 5 until November 5 in 2017, I’m part of the exhibition ”Hertha Bengtsson Stipendiater 1996-2016” in Höganäs Konsthall.
My porcelain and glass tableware-series Fingerprints is currently on sale in Butiken Republiken, Stockholm.
My contribution to Attention: craft! Eleven contemporary artists from Sweden and Norway setting the temperature of the current craft scene.
In 2013-14 I attended Research Lab in Konstfack, Stockholm. A one year pre-research course at where I got the opportunity to drive an own research project.
Article written by Linus Ersson published in january 2014 in the magazine Hjärnstorm. Illustrated by his piece A place in the sun
Read my feedback to the Nature Addicts Fund Academy in Kassel in cooperation with dOCUMENTA(13).
In 2012 I was invited to participate in NA Fund academy in Kassel in cooperation with dOCUMENTA(13). Fifteen artists invited working from environmental perspective.
In some tales the Hebrew word אמת, emet meaning truth is written on the golems forehead. Making an adventure game with Golem theme.
Glenn Adamson wrote the catalogue text about my work for Art Ii – Biennale of northern environmental and sculpture art. Adamson is currently
director of the Museum of Arts and Design (MAD) in New York City.